MexikoDro Interview: Pioneering Plugg Music By Breaking Every Rule

When you get a blessing, you take care of that blessing. You take you always take care of anything you want to keep. What camera looking at me right now? You can go right there. Hey bro, you can do whatever the hell you want to n***a. Somebody you go f it up, bro. I didn't f*** it up before too. I'm telling you, I didn't f*** it up before. But anything that you don't up before. Anything that you don't want to take care of is gone. One more time, then we do it one more time. One more time, Spin it, spin it, one more time. Hit me, baby, one more time. Welcoming in on the one more time podcast, legendary Atlanta artist. It's young Dro. No, bro. on the pod. Right now. I said his nickname was Dro. What? I said his nickname was Dro. This isn't young Dro. It's not young Dro. No, this is f***ing legendary producer, Mexico Dro in the motherf***ing building. Plug. Yes, sir. God, the king of plug. Yes, sir. Bro, so I'm not gonna lie. We met one time when we were playing basketball, some pickup basketball, but then um, you know, I was I was watching interviews preparing for this one, and you've like been very reserved in former interviews, like in previous interviews. Like not talking very much, bro.

Like, even to the point where Dirty Glove Bastards off the porch had to be like, hey, it's been 25 minutes. We enter we we're interviewing you and Lil Surf, and like you haven't said one word. But off camera, we were like, this dude's a chatty motherfucker. So I'm I'm like hoping that we get that, you know. I don't know. Like, I'm just you know what I mean. I'm I'm hoping we can open you up on the uh on camera, you know what I mean? Yeah, about that situation, you know. He um that was his interview. I went I didn't want to step in the interview, I ain't want you know everything to be on me and stuff like that. I I pulled up to show support. I was there for a reason. And it wasn't to talk, it wasn't the top, it was it was just it was to support. Well, this is the Mexico Dro interview. Sometimes you gotta show the support. You never outshine masters or anything, whatever that's going on. So it's like, you know, yeah, for sure, for sure. I no, I I uh love that. So you guys are talking about this before, and I really want to like get him some advice. Mexico Dro is in the process of building out your own studio. Yeah.

Right. Right? So he came in here. Henry has spent thousands and thousands of dollars. Alright, but you don't have to call me out like with the building out of the dollar amount. Building out this studio in here. Yes. That's off camera. Uh so like where are you at in the process right now? Like how how far are you? Um shit, bro. I'm almost goddamn, like IKEA far. I got a table. You're like you're like one trip away from going to Ikea. Yeah, Nah, I already went to Ikea. Oh, shit, yeah. He's gone to Ikea. You gotta put it together. Yeah, I just got a little table. Um, you know, I have some monitors and shit like that from my last little spots and stuff like that. So what do you got? You got some KRK, some Yamahas? JBLs. JBLs are hot. Nah, I don't know what side the All I know is they big as hell. Yeah, I don't know. Probably seven or eight I don't know. Probably seven or eight. inches. Maybe the size of the pack right there. Okay. Okay. Some big ass speakers. So they on both sides.

You know, you got a subwoofer, right? I got a JBL subwoofer. I don't got no subwoofer. Come on, bro. Mexico Dro, no, I don't even like to use my speaker. I don't even like to use the monitor can't even have the bass. I don't even like to use my speaker. I don't even like to use the monitors because it's like What do you use? Headphones? Sometimes headphones, sometimes regular. I like this laptop speaker. Yeah, yeah, laptop speaker. I like sometimes that's amazing. It's funny, like you'd think that the bass might not translate as well, but like that's the Ronnie J approach. Ronnie J was making all his shit on on laptop speakers, and he wanted to hear his bass, so the bass would end up super loud because he would mix it in a way where he could hear the bass in the laptop speaker. So when you put it on a system with a sub, that shit was booming. You know what I mean? Okay, so I'm about to tell you about it. At a HP Pavilion DB7, and it's a beats audio laptop. The best audio I ever got. Like I'd have made all my hits out that shit. Really? Without no towers, without no monitors, none of that shit, no subwoofers, no, sometimes no headphones. Wow.

I just make it right down the spot. And shit, it I'd have made a couple hits. I made real hits. I'm talking about I don't even want to say the name of the hits because let's say it, Drake. Let's say them. Nah, they're not. Let's say them, bro. Come on, Dro. We want some exclusive. Come on. No, but it sounds like HP needs to drop the bag on this. Yeah, absolutely. So, as someone who has gone down to like studio build-out, you know, experience. Yeah, you know, what are like you know, give them some like some things to look out for, like, you know what I mean? Some gotchas, you know what I'm saying? Like it's funny because like the shit that people like maybe don't know about ends up being like a defining characteristic of someone's art. Like fucking it up, like it might actually work out. Well, it's not fucking it up, though. It's just becomes it's the Dro sound now, bro. Like, it's now people are wondering, how do I get the Dro sound? They need to just not buy speakers, you know what I mean? Um a lot of people wanna get the sound and stuff like that. Oh, they want the dro sound for sure. How do I do it? Um, bro, I can tell somebody mine is the best thing to do is be original, you know, come out and do some sounds and shit yourself, because you can possibly come out with some fire

shit. Then everybody's gonna want to copy your shit. Yeah, don't copy nobody else's shit and try to go crazy with it. It's not gonna, you will never be where you want to go to doing shit like that. You must be original and you must come out with your own shit. If you come out with your own shit, everybody gonna be like you. Yeah. So it's because straight up. Cause I know in a previous interview, you like straight up told I think producer grind where you were like, Yeah, like I don't give away the sauce. Like, is that still your your philosophy? And is that the reason why? Because you want people to be their own fucking thing? I ain't gonna lie to you, like, even with Oh look at Netting Motherfucker. But uh even with everybody who excuse me make plug beats, and you know, they they make they do their own versions of the plug sound. Like, you know, I ain't a hater, like I said before, man.

Like man, brace that shit. Yeah, yeah, if that's what you want to do, handle your business. I ain't I ain't sitting around talking about, oh, I don't fuck with y'all because you goddamn make the same type of shit that I make and shit like that. It's shit lame. Yeah. So yeah, I embrace all the up and coming young producers and stuff like that who want to make this sound and want to keep this sound. They keeping the sound going. Yeah. This shit ain't gonna go nowhere. I don't know how long. I can't even man, I to be honest with you, man. It's 2023. I started making I nigga, I put my first music out like in 2014 At that time home. Bless you, bro. Appreciate it. At that time home. Yeah. Are you surprised it's lasted this long? Did you have any expectations that your career would last this long? I'm not surprised. I'm gonna tell you why I ain't surprised. Believed in yourself. And I believe in the power. Yeah. Sure.

And yeah. I feel like the offshoots too, like the the the plug and be and the hyper plug and all this stuff has definitely played a role in keeping it going, the evolutions of it, you know what I mean? So SoundCloud, so you know, SoundCloud did that documentary uh scenes plug, right? And obviously, you were like a pretty prominent figure throughout that that documentary. I enjoyed that. I've watched it like three times. I liked it a lot, but as someone who was in it and obviously like was one of the originators of this this sound. Do you think that it represented the plug, you know, culture and the plug sound accurately? Yeah, how'd they do? Yeah, how you know how do you feel about that? Because you saw it. You never watched it? You didn't watch it. Well, man, I want to say, I want to say, man, thank you for everybody who had anything to do with that that clip, anything to do with anything, you know, pertaining to the plug stuff with SoundCloud. You know, that just that's different, but like I ain't finna talk bad about nothing.

I ain't, you know. I'm about to I appreciate that. I really do. Because they didn't have to do that. Yeah. They didn't have to. And then one thing about it, you know, I ain't gonna say that, you know, they was a hundred percent accurate with it. But what I will say is I do appreciate that, you know. Like even with my plugs and stuff like that, I would tell them, hey bro, I ain't wanna do this, I ain't want to do that, because everybody went in this project and everybody ain't, you know what I'm saying? But um there seemed like some characters in there that I was surprised to be in there. Is yeah, is that is that fair? Okay, all right. We're we'll leave it at that. We're gonna leave it at that. I enjoyed the cinematography of it. I thought that it was a well put together, a well put together piece of content. I am not the like plug historian, so I can't really like weigh into how accurate it was. But but to your point, to even show love and like shine light on that subgenre is super dope.

I don't know if you know, I don't really know if they knew this shit or not, but you know, I I didn't want to do it. I didn't want to do it, but my plug, man, they like bro, Joe, bro, you got to do this shit, bro. Bro, they can't have a plug documentary without you in it. No, it doesn't even make sense. That's fucking blasphemy. Is it the same with this podcast? Did you do you not want to do this podcast either? Or just kind of Nah, I ain't, come on. you know, like I said before, with um the last situation and the the interview they had to go to, I showed support. So I kind of show support to y'all. Much love. That's love. Absolutely. I know um, you know, I done broke his ankle before. It crossed him up. Yeah, I done dunked on that man. You know, I I don't quite remember it that way. You remember that? No, no, I don't. It's probably facts. I think you're talking about whoa. Uh and I and I mix one of your projects. Yeah, he did have to wake that man up. So it's like, you know, you can't really remember too much when you sleep and you were asleep. Yeah, and I did and I did get the opportunity to mix Hugo Dro by Hugo Joe and Mexico Dro. Even though you were locked up for that process, you still got to see it come out.

That's crazy when you when you when I heard about that, bro. Yeah. Yeah, definitely. I put I appreciate that, bro. You got down the gateway. That's why I came and showed this support. For sure. No, it's easy when like the beats already have like a sound. I was gone at the moment. I ain't really know too much of anything. I came back on, you know. Shit was going up. It was a lot of shit going on. Yeah. Yeah, so I don't want to like you know get into too much about like I'm not like Vlad TV of like why were you locked up? What crimes did you do? Nah, we're not gonna do it. But but I I do want to just get your opinion on like how do you feel that being away, you know, throughout your career has impacted, like how far you've got you know what I mean? Like has it played a role in your success? Has it held you back at all? Like, talk to us about the impact it's had though. Okay, so it that shit had a tremendous impact on my life, everything. Anything that I think, like even when I move, I've been through it before, so I'm tired of going through this shit. Like, you know what I'm saying?

You you be tired of going through shit, like keep going through shit, and it's just like God damn, I'm gonna keep going through this dumb ass shit. Yeah. I got tired of myself. I was like, nigga, I'm tired. So I had to learn from that, and I had to got I had to apply it to my life. I had to stop doing certain shit shit and certain, you know what I'm saying? Being in certain situations and places and stuff like that, man. Just like instead of being at these different places now that shit, man. You know, it used to be hard for me to get in a studio, like studio was easy for me to get into, but I would just it was just hard getting me in that motherfucker. Like, I just didn't want to be in those studios. Instead of being in a studio, I wanted to be on blocks and you know what I'm saying, just doing stupid ass. Like, damn, nigga, all you had to do is just make some beats. Yeah, make some music, nigga. Like to be fair, the money is a lot slower from making beats. A lot sometimes producers getting paid is tough. Yeah, it ain't bro.

You just gotta use your head for real. Use your head, bro. Yeah, and you actually sit down and strategize and think. See, one thing about what they say, bro, like, you know, when people take naps and go to sleep and stuff like that, you know, you you you can be it and you can have an advantage in work and you can study it, do whatever you want to do, or you can take a nap. You can goddamn go to sleep, and you can think their life a game, and you know what I'm saying? Like, bro, you can I don't know, I don't even know really what I want to even say. But I feel like while people taking naps and doing this and doing that, playing the game and shit. Shit, I like to make beats and shit. Like I got them, I just started just tapping in and all that shit. I'm trying to stay a step or three above another person. You know what I'm saying? Yeah. Like shit. When did you start making beats? Small percentage that's focused.

Yeah. Yeah. When did you start making beats? Like how young were you? Nine years old. Nine years old? So you got like a crack copy of FL or something like that? Kinda. That's how a lot of people start. It was FL7. I don't know how I got it, but yeah. I used that shit. Actually, I'm gonna tell you the real truth. It went my laptop. And it was on there. You you stumbled across it. It landed in your lap. You know, my cousin, he, you know, we um he stumbled across it. Nah, nah, he he taught me um what FL Studio was. Did you see the post that went viral of the guy that started FL recently? It's just like a white guy with long hair, and all the like Atlanta producers were like showing him love. I seen it. I do not remember his name, but I tried to do a little study, but it feel like it feel like they tried to take butt out. Like I feel like I feel like people showed him love.

Yeah, it is. I'm saying his name, like trying to search him up. Oh, yeah. It was hard, like to find him. Yeah. Yo, so I feel like in 2018 or something, you had said that you couldn't even name a chord. Like a music chord. Like, so Well, that's a yeah. Like, can you today in 2023? Nope. Wow. So no music theory at all. I got music theory, no. Oh, okay. Sorry. I just I just I know you know that like this 808 needs to be a D minor for the like. I'm gonna tell you one thing. You can listen to my melodies, you can listen to my 808, you can listen to anything I make. It got a certain type of feel or soul to it. Feeling. So I know my I know music theory. It's just I just don't know no notes. Like I don't know how to I don't know how to play instruments and stuff like that, but I play everything I make. Yeah. Any melody, any beat. You hear I play this shit.

Yeah, you're not a loop man. I I sat down and played it. Yeah. And I did a dance too. I was sitting there dancing, playing it. Yeah, I played it. So I don't I don't know how to click and stuff like that for real. I know how to play the shit. So whatever I play, and whatever comes to my fingertips, that's what it is. But I can tell you, I don't know no notes. I don't know. I don't even know how what an A, B, C, I see it be like C equal some shit. I don't know. I'd be like, what the Have you ever considered? Or C number some shit? I'm the hell have you ever considered trying to learn it, or is that not even crossed your mind? I feel like it would fuck up the sound, right? I feel like I feel like shit. I feel like it wouldn't be Dro. Nah, it ain't that. What is it? What is it? Dro? Okay, I'm blessed with this shit, bro. Like, bro. Yeah.

I'm blessed with it, bro. Like, it's deeper than just some notes and it's deeper than all that, bro. If I can come out my fingertips and play all this shit, bro, you know it's deeper than that, bro. Yeah. I don't even care to even learn how to play no instruments. I feel like shit, if I pick something up and I just started getting a feeling for it and want to bend some sounds and shit and make some shit. That's my God-given talent. I ain't finna be sitting around learning no notes on how to play something. And man, I don't know how to do it. I don't even know how to play A B C. I don't know how to do that shit. And the cool shit about modern day production is like if you know how to input notes into a DAW, you could you're basically you're playing every instrument. Like why I learn a real instrument, you can play everything if you know how to program something. You know, it's kind of changed the game. I be feeling like, here, beat I make God. Be right there like, bro. Do this. You feel me? It come out crazy. I'm talking about crazy. I'm like, Everybody like this shit. They like the summer pants and everything. Like, yeah. I was literally about to ask you because all right, so you know, Henry's a producer engineer, obviously, you're a producer.

Uh I'm the non like music maker here in the uh, you know, in the equation. I always want to live vicariously through some of our guests, as far as like when that when that melody comes out or like those 808s come out, like what's that feeling like? So it kind of says, you know, each piece in the melody that I make, I whistle it. I gotta I think of this in my head, like the sound I think of this shit in my head. Each sound that I put, each bell they hit, I gotta whistle this shit. I you think about I just I just think about these things in my head. Like each beat I make, I think it in my head before I put it down on the damn what's now the mixer board. You know who that sounds like. Damn. You know what that sounds like? I don't even know who it's saying. It sound like me. You sound like God just talking. It reminds me of Timbaland who goes in and records, like, and then and then the snare goes like put the cup down. and like he visions every sound before it gets put into the program. Okay, so guess what? He hears it. So Timbaland, that right there, that's that's an angel.

That's the he's assigned to be right here and make this music the way he made his music. Yes. You heard of them hits he made you said Timbaland. Yes. Timbo, big Timbo. We've all heard of him. you just said he do the same shit that I do. when he, you know, he's successful as hell. He is. Well, we ain't gonna say hell, but he's successful. He's very successful. Yes. So you know successful as fuck? Is that did you prefer that? Successful as heaven. Boom. Damn, Henry. I might get on the mic later. But we go home. Man, that man right there, that's an angel right there, bro. Do you have like a ton of like iPhone voice memos that are just you whistling shit? I'm just wondering, like, you know, like if something comes to you while you're like driving or some shit, are you are you whistling the melody in your phone or some shit? You just call that shit spot on too. Yeah, you do that because I I think I do got some beats in my damn memo. That's just you.

I will. And I actually made so no, that's what I do. That's amazing. No, because I know some artists do that for you know their own vocal. tracks. Yeah, they get like an idea in the car and just have to get it down. Yeah, I'm never really like that. I I'm usually like, I gotta be in front of the computer ready to execute it before I really like do it, which I don't know. I guess everyone's different. Yeah, so once again, I want to ask both of you guys, you know, given the producer uh I guess you know, synergy here. What is the most satisfying feeling as a producer, right? Like you know, what part of the job would, you know, I'd like to ask each of you, honestly. Like, what what is the best part of being a producer? The best part of being a producer, to me, is being able to keep making beats. Keep making beats, and you got the younger people who want to make beats like you. That's that's the most satisfying shit.

So having your sound, like people wanting to mimic it and like draw inspiration from it. Yeah, that's gotta feel fucking great. I have no idea what yeah, what that feels like. Yeah, but that's fine, but like what's you know, I mean, like for you, what's your most satisfying like feeling it, you know, yeah. I don't know. I mean, I like I like when an artist hears a beat and it's like, I need that one, you know? Like, I need that one. Send that to me right now. I'll start writing to it right now. That's like instant gratification, right? It's like, Yes, thank you. Like, that's what I was thinking. Like, this is perfect for you, you know. So with that, that's kind of a but bro. What about the opposite? Like, I'm sure you've even though you know people skipping your shit. Yeah, like it is anyone, you know, skipping beats that like you felt like were the ones, or are you like batting 100? All the time. Okay, all the time, yeah. Everybody ain't got the same ear, you know what I'm saying? Everybody hear what they hear. Yeah, that's that's gotta be like that hurts my soul when I hear people. Guess what? It's a beauty to that. Why? Yeah, how come? Because I might put y'all on game. put us on game, bro. We need that.

Find you a artist and try to construct on the rap on this certain type of sound, this certain beat that you got. Like challenge them. Challenge them a little bit. Yeah, bro. See if you can goddamn do this and do that on this beat, and you know, help them with the melody or whatever. You know, just try to get it doing. I you know, for a favorite song that I got, and I got an artist that I'm working with, shit, hell yeah. I'm a goddamn, I'm a try to put, I'm gonna try to align that together. Yeah. Because you may never know. If I like this and I got an artist that I can put on this motherfucker, we can build some shit, like, man, come on now. I think it was Coop that was talking about like playing beats that he never thought would get picked, or like this is too weird for this person. And they end up connecting and creating something new that he didn't expect. Yeah, I think what's most interesting about what you said is that you know, a lot of our audience might be what we would maybe call more beat makers or like you know, bedroom producers that are just sending out beats and they're not always gonna be able to be in the studio, right? But I think if you can be there with the artists and help challenge them or help craft the actual song, which is what it sounds like you like to do, where you're helping with melodies, you're helping with flows, maybe cadences, whatever.

Like that sounds like the most beautiful part. Yeah. Is that is that what you like the best? Is like being in the room and actually helping, like beyond just the beat. You know, I'm crazy. Yeah. Blow y'all, man. Oh man, I love this. That's what called that's that's what being a producer is called. That's a real production, bro. Yeah. You're not producing if you're not in the room, really. You're just making beats. Period. Try to tell people that, man. People still don't understand. I'm just trying that shit out, too. Yeah. I thought producer man, shit, you make some beats. DJ Khaled is a is a producer. He doesn't he doesn't make beats. He's like one of the top producers because he's in the room. He's producers make phone calls. You know what I mean? And they sit in the room and they have ideas. That ain't that easy. I'm talking about like producers produce, producers make like producers come with like even when you with the vocals and stuff like that, with the melodies, you, you gotta you gotta get your input. You gotta you gotta have a vision for the song as a whole. You gotta you gotta help out.

Yes. You gotta be a certain type of hip to make a certain type of record. Yeah, even vocal production, like telling someone to do it one more time. Wow. you know what I mean? And I think that just makes you so much more valuable too to the whole process, right? It's like people can find another person that can send them a beat that they just already know what to do with. You just get out YouTube, bro. Like if you want to just want to beat. I feel like it makes you so much more valuable if you're able to really help bring something to the table that wouldn't have already been there before. You know? Yeah. Yeah. So what's your what's your like work life balance like these days, right? Like, are you a fucking workaholic where you don't have a second to yourself, or do you find time for yourself to do shit outside of music? I ain't gonna lie. I feel like that. But I mean, shit, I be I'd be working a lot. I'd be I'd be working. What do you like to do outside of making music? I'm in the studio with about three, four days out the week. Three to three, four. Yeah. yeah.

Yes, what do you like to do outside of the studio? Shit. Still hooping. Kick with the dogs. I like to goddamn, I like the workout. What's that? Boxing? I like to train. Okay. Train what? Shit, I like to train. Damn, we got a jiu-jitsu fighter, like a mixed martial artist. You might not ever know black belt. But I like, you know, I like do I? I mean, y'all looking kind of strong over there, man. Yeah. What you mean? Yeah, no, pow. I was just giving you a compliment. But like, we can take it there. Nah, I'm just playing though, but um, yeah, my goddamn, bro. I I like to do, you know what I'm saying? I like to just be chillin', just you know, staying out the way. Yeah. Doing what I got to do, stay out the way, handle my business, take care of my family. Do you have like certain ways to to get inspired to make music? Cause like I feel like it has to come with certain inspiration.

Like you can't just like every day feel it, right? So like are there certain things that you like to do? I mean, shit, bro. Like, even with going to the studio and shit every day, nobody wanna go to the studio every day. But you know, I'd be like, shit, I'm gonna get this done, I'm gonna get this over with, I'm gonna make and put together my best, and it's gonna pay off at the end. Yeah. Whatever I got going on, it's gonna pay off. Do you have periods where you do it? Do you have periods where you'll like lock in for like two weeks straight and just go hard and then take a break, or it's pretty consistently just no. No breaks. Yeah. You know, what Jesus said by all means. By all means. Yeah. Who's the most important like person on a producer's team, right? Cause we've heard from a lot of people that like lawyers or you know, some people say ARs, managers, whatever, like, you know, who do you feel is, you know, for producers out there, like who who should they make sure they have on the team? Producers gotta make sure they had a uh lawyer that they trust.

You got to have a lawyer that you trust. You got you ain't got no lawyer that you trust is like shit. You might with you, you might with your kids. No, it's it's I'm I'm saying is it's just like there, bro. Like, you got a fucked up lawyer, bro, and they just doing bad business. It's just like bro. Have you dealt with that? No, I ain't never dealt with that. Okay, good. Yeah. So the lawyer. But I'm trying to avoid, you know what I'm saying? Everybody else from dealing with it. Yeah. You gotta have a lawyer that you can trust. So if you meet the person in person and right out the bat, he'd be like, hold on, I don't know about him. Then that's what it is. You gotta go to the next lawyer. But you're supposed to always have a lawyer and a manager. Yeah. And definitely a manager that you can trust. My I trust my manager with mine, bro. I can leave a million dollars with my manager right there for a year. And he'd only take like a hundred K or so. That man wouldn't touch. He wouldn't

touch no money. Yeah. He wouldn't touch no money. I could trust that man with everything. Yeah. It'll be 1.2 next year. Oh. You feel me? Yeah, that's good. It's gonna be way more than that. Yeah, okay. So more than that. So obviously, you know, you got the the big Drake placement. Uh what was that off dark? Lane Demo Tapes? Yeah. Yeah, yeah, yeah. Dark Lane. From Florida with Love. Um, and so I know you've talked about like how you got the placement, but for me, I mean, the fact that, you know, he's shouting out Mexico in the hook, plug is being um, yeah, yeah, plug is being like, you know, said throughout the fucking record. I mean, that that's huge. So for me, how how did that actually change your career, right? Because every producer that's listening is like, bro, if I just get a Drake placement, this is gonna happen, right? So, like, speak candidly about like how did it actually impact the Mexico Drove career? I ain't finna.

All right, so look, all right, so did your price go up? Yeah, you know the price went up. You know that shit, you know that price went up. Yeah, But I, but I went, I wasn't trying to go too, you know something. Oh, yeah. I wasn't trying to go too crazy in jail. Right, right? Yeah, man. Shit, bro. We living in some crazy time, bro. Everybody ain't rich. Shit. I don't know. I just felt like shit. Maybe I probably would be in too fast or something. I don't know. But I I went up a little bit, but I ain't going too too crazy. Yeah. I ain't going up too too crazy. But did like the did the you know offer start pouring in? Like, you know, just everyone thinks that like everything's gonna change overnight, and just like you're about to get a you know, multi-million dollar pub deal, you're gonna have every fucking artist hitting you up. Like, did stuff like that start to happen? As far as that and shit like that, you gotta be smart about your business. You gotta be smart, man.

Like, man, I can I can talk forever about this shit. I ain't finna say too much, but you just gotta be smart about your business, and you gotta know you know what's enough. You can't be too greedy. You gotta know what you you gotta know what you can handle. And whatever God bless you with, you know, you gotta treat that accordingly. You can't be, you can't, he ain't gonna keep blessing you and you keep fucking up, whatever it is. Yeah, I I I feel like we've heard so many stories of people who have let the money and like greed fuck situations up. So like people asking for crazy ass advances when they're not shit really, and it'd be just asking for shit. You gotta understand, like what you can yourself into, and everybody gotta realize, you know, we all grown. And it's like some folks don't give a fuck whatever situation you going through, whatever you going through, you gotta make this shit happen. And if you don't, nigga, shit.

It's over with. Yeah. Yeah, no, I I just I do feel like everyone thinks that just if the Drake placement hits, that like you're never gonna have to worry about. Any placement hit, you don't matter whatever you get. Anything you get, you get a blessing out of it. You gotta take care of that blessing. You can treat that blessing as an asset, you can treat that blessing as a liability. Ooh. Yeah. It's best for you to treat the bit the blessing as an asset so you can make better blessings and more blessings out of it. So that's what I say, shit. Y'all nigga, man, you know you can do what the fuck you want. If what camera looking at me right now? You can go right there. Hey bro, you can do whatever the hell you want to, nigga. I'm talking about you going to fuck it up, bro. I done fucked it up before too, nigga. I'm telling you, I done fucked up before. You know, I'm telling you off of experience.

Hey man, put that shit up. Yeah. Fuck that shit. Well, fuck them hoes, fuck goddamn whatever. Being around shit, wanna pull up and shit and shit. Just just sit on it, just wait, stack up, and you'll be in. And when you get a blessing, it's not time to kick your feet up. It's time to even potentially work harder. That's where a lot of people get messed up. They get a record deal, they think they're coasting. When you get a blessing, you take care of that blessing. You take you always take care of anything you want to keep. Yeah. If you don't, where that shit go? So you lose that shit. Ain't no, ain't no shaking. no, it's gone. Yeah. Anything that you don't want to take care of, it's gone. You gotta take care of whatever you, you know, wanna keep. Yeah, I I love that approach, man. Like nurturing the blessing and like really like watering that shit so it grows into more. Like, you know what I mean?

Like that whole just philosophy. I feel like to your point, everyone might get that and just act a little reckless and not really take it or kind of take it for granted, I feel like, right? And not really put their like double down into it, like you said, you know what I mean? Right. I mean, shoot, it's it's not really necessarily a lot of people don't do it. It's Just, you know, some people gonna do what they want to do, but you just gotta know. Just you, you gotta know, you know what I'm saying? What about you? Yeah. And you know, you know, you take care of certain things, you're gonna keep certain things. Relationships, vehicles, houses, grass, flowers. You know, it's all everything. For sure. Was that beat specifically made for Drake, or was that made for another artist before that? Beat was specifically made for Drake. Of course. I feel like it was so different. Yeah, and 40 on it. 40 uh sent me the the I ain't gonna say too much.

What, like a loop? Come on, man. We can let's get a little exclusive here. Come on, Joe. This song's already out. You were so close. He sent me the playbook. Ooh, okay. Well, I know I know for a fact that the 40 sound is like, you know, uh low pass filters. He's he's EQing out a lot of the high end on a lot of his melodies and stuff to leave room at the top so that vocal like cuts through, which I think was definitely the case on that song as well. I'm sure there's more to it than that, but that's at least like part of the 40 sound. You know what I mean? 40 go crazy. He made a whole bunch of shit. Yeah. 40 Drake. We talk about like artist producer duos. They're up there. Yeah, who's your favorite artist producer duo? That's a hard ass question. It is that's why we're here. We asked the tough questions, Dro. Gucci.

He knows who he wants to say, but he's like, nah, bro. I gotta y'all know I gotta see him think about this shit. All right, come on. Y'all done brought the hen up. We did. We did. Yeah. Brought the big bad body. Look at this. And the king palm. Blame it on the hen. And the king palm was Yep, and we mixed it with the Guayaki here, yerba mate. appreciate you guys. We got all of our sponsors in the works. Right. We didn't do some damage on it. Like, look at this shit. I know. See that man, look at him. Only the best for Mexico Dro, bro. Come on. And then he asked me who was your favorite artist, producer, duo. Should have asked him at the beginning of the interview. You should have asked him before I pulled up. I should have texted you. Hey, bro, just don't forget I'm gonna ask you this question towards the end of the interview. Yeah, before God then you get to the interview, bro. How you feel about this? Like, I could have just read your answer for you. You texted me this. I ain't gonna lie to you, man.

Right now. He's like, in this state of mind, here's my answer. Hey, you heard in New Man Man Savage in Mexico Dro 9. Nah. Man, I gotta check it out, man. That's what's going on. Everybody listening to that shit. Yeah, I ain't heard that. We literally just posted a man man savage clip. I'm not even kidding. Yeah, from interviewing him. Yeah. We fuck with Man Man. Man, come on, man. Y'all ain't heard of that new nine. I gotta check that out, bro. Oh, we will right after this. What was that, him and Tony? Man, no, Because him and Tony have a song too that just came out. Nine is a project from him and Mexico Dro. They just dropped. Shit. It's Crazy, bro. That's what's going on, bro. Damn. How do we not know about it. I'm pissed. I be riding it this here today. I thought that was your job. How do you find that out? Well, just between both of us. I mean I don't know about that. I don't know how. Yeah, I gotta check it out. Fuck. You know, that's why I'm here to tell you. God sent me here to tell you this. Right. And I'm so glad that he did. Yes. You know? So I had, you know. Because I love Mexico Dro and I love Man Man Savage. So deliver the message. Yes.

All right. Message received. So that's the answer for artist producer duo right there, too. Apparently it's Mexico Dro. Oh no, that's not dancing right now. Okay, well, that was a nice little warm-up. That was a good, that was a nice plug. But let's go into outside of Mexico Dro and Man Man Savage. Okay. Artist producer duos, baby. Come on. We need it. Maybe like a Metro Future. Don't put anything in his head, bro. Jesus. I'm just getting the gears turning, bro. We just did with Man Man Savage in Mexico Dro. That was the gear starting to turn. That was the gears? Yes. All right. My bad. Jesus. Jesus. Look at his face. bro. I got a sound effect. Yo, I don't know. Dro. Give me one, bro. I don't know shit. All right, keep naming some. Maybe he doesn't need the gears to be turned in. Easy. Okay. Banking D Rich.

Wow. Low key. Yeah. Deep cut. That is a deep cut. Yeah. Like it. Damn. Okay, Joe. All right. So you're wearing a booker Suns jersey right now. My God, I'll be wearing my jersey. You literally own how many jerseys do you own? I don't know. I I got jerseys though. I wear jerseys, man. This is what I'll be wearing. Like a whole closet full? No, I ain't gonna say all that on that podcast. Damn, Joe. No, man. You know, All right, what's your favorite jersey? I'm in the area where you can't be saying all that, man. You know, and I don't keep out my jerseys, but you know. Got locations? I got locations. Um jersey locations. But one thing, I got a few jerseys. Okay. Yeah. Give me give me a few of your favorites. Your most prized possessions. I like my house. You know, I love my house.

I love that with my heart. I protect my house. What, like a matumbo or like what do you got? I got that too. You got all of them. I got Mutombo. I got Young. Shit, we can go to Falcons jerseys. I got I got my last name. Okay. Okay. No relation to I'll go ahead and take that out. Take that out of the video right there. Well, we'll bleep it. All right. Editors just blur his blur his mouth and bleep his last name. But they gonna know what I'm talking about, though. But I got that. Man, come on. Anything that dealing with Atlanta, I got I got every jersey of it. Like even with baseball, I don't even watch baseball, but shit, all I know, I got that corner. I heard he's going crazy. Well, I mean, your manager's wearing a t-shirt of a band he's never listened to. So, like, it's pretty on brand for you to wear a jersey of a team or you know, of a sport you don't watch. Sometimes, you know, you guys put that shit on. It's the vibe.

You know what I mean, yeah. For sure. Well, Mexico Joe, we've entered a final segment of the podcast. Oh shit. Is it time? It's time, bro. Oh shit. Here we go. Because I, you know, I couldn't get any more artists, producer, duos out of him. Yeah, yeah. He didn't tell me where his jerseys were. One might pop up later. Yeah, yeah. I got a lot of jerseys, man. Apparently they're scattered all over the city. It's like a fucking. Yeah, man. You gotta play chess, not chess, man. Chess with your jerseys. Yeah. Facts. Yeah. I might like, man, you fool. I love it. Joe, this is the Rapid Fire Rampage. It's gonna be three little parts. We're just gonna start with some short answer questions, some ask questions. Give me a short answer. I'll explain the other two parts as we go. Let's get into it. Let's start real simple here. Super easy, basic layup. What is the meaning of life? Learning a lesson.

Ooh, okay. Okay. Damn. That was actually the hardest one. I was joking. So we'll get we'll get a little easier here. So, Joe, you helped put plug on the map. What would you say is the next big wave? Like if you had to predict the next wave of Atlanta hip hop. Like with what's the what's the next one? What's the next plug? Any ideas? Shit. Less. Just whatever y'all making? I don't know, man. I be minding my business. I got my own little shit going on. I don't be really paying too much about really what's going on for it. You know, I just be minding my business, bro. I just minding my business. Make my music and make your money. Fucking with it, you fucking with it, you know. Yeah, man. And the state of mind, you know. There's something, there's something Something beautiful about that, man. I don't want to say too much, and you know, everybody be feeling like oh the nigga drove on and fuck with it. It's just I just mind my business. That's what I do.

Yeah, no, it doesn't come across that way at all, actually. It's respectful. It's it's really interesting. It's like you could interpret it if we didn't, you know, know your just general stance on it as like, oh, he's just hating, he doesn't care about anyone else or whatever, doesn't support other people. But like, no, it's almost like you're so into your world and like helping artists that you're working with build these sounds and stuff. Like you're almost like so dedicated that it actually doesn't come across as like Laser focused. not giving a fuck. It's actually you give so much fucks about like what you got going on with the people that you're creating with that it is actually something beautiful about that, man. Right, man. Look. Y'all be on the lookout. Man, man, save it. Y'all be on the lookout. for the new Seti Hendrix, man. I'll be on the lookout for Seti. Everybody I've been working with, man. I'll be on the lookout, man. Yo, Seti's been on our ass about interviews. Any everybody I drop with, y'all be on the lookout for these folks. Facts.

Seti, I promise we're gonna interview you, man. Yeah, Setti. He just DM'd us asking us when we're gonna do it. Y'all need to get Seti on that. We will. We will. Absolutely. That's going to be a great interview, man. Y'all check Seti out. Yes. And you know, said it. Yeah, I'll get mad man out here too. Definitely. Yeah, man. Come on. Yo, that's going to be a funny-ass interview. He's a character. He is, man. You see what I just said, boy. Yeah, come on. Yeah, for sure. Yes. All right, moving on. Dro, how much to buy all of the beats on your computer right now? Put a dollar amount on it. I thought you said Dubai. A billion? A B A B. You said a big B. One B. I like that. I like that Damn. Just one of those Bs. That's it. Just a little, just a single B. One B. So we're not greedy around here. We just want one B. A label if y'all want, if y'all want my laptop, if y'all want all these beats, just one B. That's it. Just one little B.

One bass god. Jo, you can only wear one outfit for the rest of your life. What is it? You know. Well, it's a jersey, but like. This is a cheat code to get the jersey. All right. Yeah, this is the full outfit. You know the jersey. No, we don't. Acuña? Yeah. No, but which jersey. We need one outfit. Yes. All right. I got so many pairs of black jeans. I'm talking about something. It got to a point. I'm just finding out that I kept buying the same pair of black jeans. Okay, black jeans for sure. Okay, so black jeans. Yes. I kept buying the same pair of black jeans, different brands and everything. That's easy. So black jeans. So if there's a black jeans like shortage out there, guys, Dro bought them all. I'm not lying, bro. I got so many black jeans, man. I just I don't know what the fuck was wrong with me. You forgot you bought. I got black jeans on every side. All right, give us kicks and give us top. Like which jersey, what kicks? Black jeans, F1 that's white.

Not the black uh villain forces. I ain't gonna lie, I used to love them blacks. Me too, man. Those are hard. But you said just an outfit that I had forever. So I gotta be clean forever. True. Yeah. So I gotta have black FO, no white FO ones, black jean, and um a Hulk jersey, bro. What Hawks jersey, Lou Will? I'm going Hulk, man. I'm going. I'm going. Matumbo. Okay. Yeah. Yeah, we got it out of him. I like it. Mutombo. Yeah, we got his favorite jersey out of him. Yeah, we did. We did it. It just had to circle back around it. Yeah, I got you. Got your ass, Joe. You thought you were gonna tell us your favorite jersey, and you just did. No. Joe, what advice would you give an upcoming producer trying to find their sound? Because you very much found your sound. Man, bro. what can they do? Find your sound. That's a hard, that's a hard uh question, bro. Yeah. To find their sound. It really depends on where the hell you from, bro. Wherever you from, nigga, Joe, you know how your shit, you know how y'all say y'all city sound and stuff, so shit.

It's just go off of that sound. Shit, I don't know. I mean, I that ain't that ain't no good advice. I wouldn't I wouldn't tell myself that shit. But the sound that you know I grew up listening to and stuff. Yeah. But yeah, that shit had a a tremendous like it had an impact on my sound too. I'm from Atlanta. I'm from here. Like, you know what I'm saying? So pull from your roots. Yeah, basically, man. Sure. Yo, if someone's never heard the plug sound, right? Like, how would you describe it to like my mom? And you're jacking my rampage. All right, if your mama ain't never heard, I'd be like, hey, mama. Yeah. This is great. I'm gonna show this to my mom, by the way. She watches the pod, so like I'd be like, so mom, dude, like Yeah. Do what's going on, like, you know, the young kids and stuff nowadays, they listen to this and they like that. So, you know, I got, you know, I started making beats and stuff like that, and I got this certain type of bounce, certain type of rhythm. And a lot of people like this rhythm and this bounce. So, you know, a lot of people like to, man, it's been different genres being created, mama.

So look, you gotta check this out. I'm telling you, mama, this this the way, this is what everybody listens to. They love it. Yes, it's amazing. Not only do they love it, it's growing. Yes, it's still growing to the day. To this day. Oh, it's exploding. It's Still here. Yeah. Oh, that's amazing. I can't wait to see what my mom says about. this. Yes. Last one of the short answer. This is the Co-Sign Corner presented by Guayaki Yerba Mate. Joe, just give us like a couple, maybe two, three, four or five artists. You're just excited about like up and coming people. Who should we check out? You named a couple, I think earlier, maybe. But rename them. Yeah. I can give you two right now. Let's do it. Let's do it. Seven. Mike, you one more. Let's go.

One more. Maybe one you're not working with. Just someone you've seen that you you're listening to their shit. That I ain't working with. He doesn't do that, bro. You just heard the guy. You know what I'm saying? I don't be listening to nobody else. Like, for real. Yeah. Now I ain't gonna lie to you, man. Hey, nigga, Johnny Cinco, nigga. You know what I'm saying? Okay. Johnny. Shout out Johnny. Yeah. Sure. Okay, part two is the this or that. Hey, one thing I want to tell y'all, bro. Like Eric, man. Hey, bro. Y'all need to go, y'all need to have Johnny on this this podcast too. I know Johnny. For real. I need to go ahead and holler at Johnny and be like, hey Johnny, like y'all at me on the podcast, bro. Yeah. No, I'm with it. For real. I'm with the Cinco interview, bro. You don't tell me twice. Yeah. Shit like that. I'm pretty sure you put me on the Johnny Cinco. I probably did. So I said Johnny, so y'all know Cinco. Yes. Okay. Oh, we know. Of course. Of course. Yes. Part two is the this or that, Dro. I'm gonna give you two choices. All you gotta do is pick one. Here we go. Starting with snares or claps.

Pretty sure I know the answer, but claps. Yeah. Spins 808 or Zay 808. Spins. Facts. Drums or melodies. Hold on. Let me let me let me elaborate. Alright, look. I ain't even gonna say nothing. Spin. Spins 808 speaks for its fucking self. Yeah. And no, no, no disrespect to nothing. No both of the parties. I was just finna say something else. Oh, okay. Um, spins. I they spin hard, bro. It's just to this day. It's still. And it got it got to a point, bro. I done made I done made my version of that spin shit. Like, I didn't. Yeah, yeah. Oh, it's been retwerked like a million times. I didn't doctor this shit. Yeah, yeah. So soon enough it'll be the Dro 808. It's the Dro spins. Yeah, yeah, nah. But one thing is no, I let it be known. Hey, yo, it was spins first. It was spins first, yeah. Spins 808 first. Yes.

It's the spins 808 drill edit. Okay. It was a remix slash uh scientific invention. Yeah. It's like a Frankenstein uh spins. Like, yeah, the one, yeah, that made it. You can barely tell that it used to be spins, but like it's you still can tell. Moving on. Drums or melodies. Melodies, man. Hey. Yes. And I'm gonna tell you right now, I don't know what producer need to hear this shit. Yeah, I don't know my notes, but ain't nobody fucking with me on a melody. Facts. Hey, well, who fucking with me on the melody? Nobody. Nigga, I see I made the melody about 10 minutes. I'm talking about the top. Oh shit. My oh, boy. Not the Hennessy. Hey, boy. Not on the table. Yeah, it's fine. We'll we'll deal with the table. But yo, hopefully the the one out of a thousand black jeans that you own are okay. We know you don't have many replacements. Right.

These ain't even get affected right here. Okay. Um, but I'm gonna uh we're gonna clean this up too. We're gonna get it. He was so passionate about his melodies being. That's the melody. He's like, How important is shit? He's like bro, do not fuck with my melodies. bro. Yeah, I ain't gonna lie to you. That's how you know I was passionate about this shit. Right. You know y'all nigga ain't fucking with a nigga. I don't care who you with. No. Hey, but nah, I ain't I ain't talking shit, though. I'm just I'm just being a little bit. I'm being nah, I just be fine about this. Come on now. Come on, dog. You if you make some beats, you're gonna be like, nigga, ain't nobody fuck with my melody. Come on now. I mean, I make beats and people are fucking with my melodies. I know that, but I'm saying you it's a certain type of standard that you're gonna hold. Absolutely. Every man shit, nigga. Ain't nobody fucking with nothing I got going on that I'm passionate about. Oh, I pop my podcast shit all the time, bro. No one's touching my interviews, bro. Nobody's touching my fucking interviews, bro. Ain't nobody fucking with your interview, then You already know how I feel about this, shit, man. Come on. If the Hennessy was close enough, I would have spilled it. Saying nobody fucks. No. Just feel that Hennessy, bro.

Sometimes you gotta knock that shit over about that shit. Cause you passionate and you serious about that, bro. Knock that shit over, bro. Knock that shit over. bro. You're going to clean it up, man. Knock that shit, man. Knock it. Go ahead. Bro, you gotta do it, bro. You feel me? Knock it. There it is. But we gonna clean it up. We gonna clean it up. clean it up. We gonna clean it up. For real. We gonna clean it up. Yeah. Oh my god. We got it, bro. You don't have to you don't have to do it. Yeah, everybody gonna come on. I got some more, I got a couple more questions. Well, Henry's got it. Yeah, I'll clean it up. Yeah, for sure. Okay, so melodies over drums, but drums or flats. Drums are who? Drums are flats. Oh, you talking about some chicken? We switched to chicken. Let me tell you about that. I ain't no chicken since 2019, bro. What? Oh, wow. Swear to God, I'm Pescatarian. Really? Okay, so fish. Do fish. All right. Wow. Okay, facts. Twitter or threads. Are you on threads yet? Hey man, that's it. Twitter. He's this close to saying something that we need to hear.

I know. We'll leave it alone. It's cool. Man. Magic City or Follies? Nah, Twitter. Twitter, yeah. Magic City or Follies. Man, listen, bro. These are important questions. I ain't gonna lie to you, bro. I ain't even a Magic City fan like that. And Follies, I ain't I don't I ain't never been in there. I don't think. I don't know. I gotta find, I gotta think. I gotta really find out. It's gone now. Man, hey, look, I used to go to God that I tell him. Yeah, yeah. We need the story. Come on, man. Absolutely. Man, nigga used to go to rumors and shit. Rumors, facts. Man, hey bro, hey look. We tired you know what I'm saying? We we can goddamn chill at the block for a long time. Shit. Sometimes we in the night with rumors, or we in the night with wax. Okay. Or we in the night with not a wax, it was some bullshit. Okay. But we in the night with goddamn flying too. Yeah. Blue flame.

Shit. My keep going, but I ain't finna keep the standard. But not a Magic City fan, huh? What? How come? I feel like man, yeah, man. Come on. Everybody coming to Atlanta to go to Magic City. I think I would nigga check for this shit. Airlight coming to Atlanta for Magic City. Yeah. Let's get let's get him paid for that. Right. All right, cool. The endorsement. Yeah, we're seeing that clip. Look how serious he is about Magic City paying him to have sex. When you hear about Atlanta, you hear about Magic City. I know. That's crazy. What yeah. What other like, Cheetah. The Cheetah. No. No. I'm saying what other city like do you know them by like a strip club in the city? Well, I know Miami because of Liv. I don't know how they do that. Is that a strip club. Man. I know some clubs. Well, they got like strippers in there kind of Lil' now one thing about Lil' Onyx. Y'all, Lil' Onyx. Cheshire Bridge. Nigga, I almost nigga.

We almost had a couple, bro. Onyx. Onyx, security guards. Y'all be tripping, y'all be playing. Y'all be real deal live tripping. Our management has advised us to move to the next question. Um so Dro, you can you either have to give up all your sports-related clothing, never wear sports shoes, no clothing again. Or you gotta switch from FL to something else. So we're gonna wear Niz. Anything else? I don't know. Black T and Black Jane. Give up, but if you but you got to get to choose, you either give up all your sports clothes or give up FL Studio. Which one are you giving up? Sports Cloth. Yeah. Damn. No jerseys. Damn, I'm tired of shit. Fuck them. He needs FL if it's a good thing. It's making you yeah. Yeah, I start. I started doing the math in my head, and then I realized them sport clothes you done paid for ain't gonna make you nothing. Yeah. Make make you something make you something when you turn back 90 years old, other than that shit. hon, you might as well rack it up.

That Matumbo jersey might be worth something. FEL studio before some jerseys. Yes. That's actually making money. That's the most intelligent answer. Yeah. All right. The last part is the word association. So I'm gonna just say one word, and then you just give me one word, the first word that you think of off the top of your head, right back at me. Here we go. Starting with hip hop. See, you said the first word, and I'm automatically thinking about something stupid. That's fine. That's what we want. Do we accept stupid? Nah, I ain't. that's how we go viral, Joe. I'm gonna Get my least intelligent answer on this planet. Nah, we ain't showing nobody that nigga just be airheaded or something. What does it have to be something like hip hop? Shit, all right. First answer. Yeah. First thing you think of. Producer. Yeah. Nice. That was a safe answer, by the way, but that's fine. Zone. Very safe. What you want me?

I need something dangerous, bro. We're trying to run through. I try to sit a nigga ass up. Yeah, that would be All right. You too. Fair enough. Zone. Foul. Baseball. Never been. Lunch. I don't know. Shit. Salad is all shit. Salad is all guys. He likes health care. I like it. I mean, I don't eat until about eight o'clock, six o'clock every day. I'm good. No lunch. Sometimes 12. Yeah. What? Sometimes I go to studio eight to twelve o'clock. So when I got studio, of course I gotta go to get the the food. So are there salad spots open at 12? Nah, but you can get some good noodles and some chips. Yeah, yeah, yeah. Vietnamese. Noodles, chips, some cookies, nigga. That good. Okay. Moving on. Bitcoin. I don't know.

Snake. Uh a rat. Platinum. Good job. Trump. Who? That'll work. Nah, nah. What'd you say. Trump. Trump. Yeah. Shit, mining. I still like the who better, but both good answers. Yeah, yeah. And I ain't. No, no disrespect. No parties. Right. But um. Yeah, mining. Lil. Lil? Lil. Shit. Lil Nickel shit. This is the first time we didn't get a rapper. That's amazing. So good. No, I think, no, I think one time we got Lil Bruh. I think that might be a rapper. I bet he's on Spotify. He's probably a rapper. Guaranteed. That might be a rapper, too. All right, just a couple more here. Wrapping up.

OnlyFans. She grind. On the grind. Get your paper. And Mexico. And Mexico. Mexico. Shit, Cartier, man. Hey, y'all need beats, bro. Hey, home. This has been the Mexico Dro Interview on the One More Time podcast. As always, please like, comment, and subscribe if you fuck with this interview. Man, this was fun. Enjoyed it, man. Appreciate that, man. Thanks for coming on. Appreciate you coming on. Appreciate it, man. Putting these people on game. Appreciate you for having me, man. Hey, I also appreciate King Palm, man. Y'all Yeah, yeah. Smoking big sticks and Hennessy. Sorry, we ain't smoking those, but you feel me. We need more leaves. We do. We're running low for sure. We need the real Leafs. Yeah. Thanks, Joe. And then yeah, throw that in the middle. Oh, another thing too. Yeah.

Shout out off key supply. Selling these shirts. Man, come on, man. I'll go grab y'all auto tune. Look at that. Yes. I said, hey, home. I was just at AutoZone yesterday, bruh. There you go. I thought I was selling AutoZone t-shirts. I see. Oh, damn, my bad hoes. I mean scratch. Y'all put that out. Take that out. Yeah. Yo, fast. Auto tune, man. Yeah, go get y'all a t shirt, man. Definitely from uh my man's them. Yeah. Offkeysupply.com. Man, yeah, go check them out, man. Yes, sir. Much love. Until next week, everybody. What are we doing? We're getting out of here. Getting the fuck out of here. Peace. Peace, y'all.